Plato's "Gorgias"

At the bottom of this blog's front page, I've listed books I've been reading lately: some textbooks, but mostly the "fun" reading I do in my "spare" time. (I do forget to add some of the things I read, but that's par for the course.)

Anyway, right now, I'm re-reading "Gorgias" and I'm not even sure why. I have always liked the campy opening scene, with Socrates coming late to a dinner party at Gorgias's home, arriving with his young pal, Chaerephon, who made them late because he was shopping(!). Another young man in the dialogue, Polus, gets a lot of Socrates's attention by taking Socrates's bait and answering questions that box himself in a corner, the corner Socrates wants him in.

But Socrates is a bit of a bully, I think, in this dialogue: he shifts the grounds for some of his questions, playing word games to entrap his interlocutors. In fact, the whole interaction seems to be a huge display of testosterone, a kind of ancient Greek antler fight between bucks. The different types of masculinity try to best the master masculinity. But he, through his superior (?) reasoning power, is able to emasculate them all by revealing their faulty thinking.

So why am I even bothering to read it, you ask? Well, I've been curious about the uses of analogy lately: when and how they're used. This dialogue includes SO many that are fun to study. It also contains, at least the translation I have (in Bizzell and Herzberg's The Rhetorical Tradition), plenty of casual language and metadiscourse that enables me to see the dialogue played out on stage: what would Socrates and Chaerephon be carrying when they arrive at Gorgias's house after shopping? What jewelry accessorizes Polus? How portly is Gorgias? And Callicles wears a vandyke for sure.