Monday, May 23, 2011

Good first day

Summer session started for me today with class at 7:45 a.m. Most who know me get a bit shocked when I teach such early-morning classes, which I only do in the summer (the sunshine helps me get up and out the door -- oh yeah, I only have to do it for 17 mornings, which now is 16).

My students are lively and interesting: we'll be reading American women writers together, smashing together 16-weeks worth of reading into 6. Yikes.

[Since I titled this "Good first day," I'm going to leave *out* the bad part about my computer taking so long to boot up that I was late for class because I had to print the syllabus. I even got to school 20 minutes early to prep, but that wasn't enough time.]

Kelsie arrived this evening before her 6:10 a.m. flight to Salt Lake City for some vacation. We took a good walk down to Hidden Falls with Maisy, who'd already spent an hour at the dog park, but you wouldn't know given her frenzy to get to the river. She's such a water dog.

Then Kels and I had some snacks at the Chatterbox Pub. Now we're both bushed and ready for bed because we'll be out the door at 5:00 a.m. to get her checked in.

Sunday, May 22, 2011

Hate

Last night, I went to bed in Minnesota. This morning, I woke up in some other state. Minnesota's legislature voted last night to put on the fall 2012 ballot a constitutional ban on same-sex marriage.

What is wrong with people? Why do heterosexuals think that the institution of "marriage" is something only they should have?

I just don't get it, especially because the latest Gallup Poll found that the majority of Americans support legalizing same-sex marriage.

Oh wait, I *do* get it: politics. Republicans make a power-play to beat-up-on the Democratic governor.

Republicans seem to be the party that's protecting the patriarchy: Suzanne Pharr's "Homophobia: A Weapon of Sexism" explains so many of the Republicans' moves for social control. They want to limit anything to do with the feminine, continue to keep women in subordinate positions, preserve the privilege of the patriarchy.

Fight back against their power to show that might does *not* make right.

Thursday, May 12, 2011

Egads

Minnesota Senate voted to put this constitutional amendment in front of voters in 2012: what disrespect in so many ways!

"Shall the Minnesota Constitution be amended to provide that only a union of one man and one woman shall be valid or recognized as a marriage in Minnesota?"

Monday, May 9, 2011

It worked?

I'm reading "Introduction to Writing" final portfolios, and in one reflection essay, a student talked about blogging.

Students post to a blog, just like this one, to talk about our college's common book, The Good Soldiers. It's a tough book, both in terms of content and form, so the Engl 90 students struggle. But the casual writing space seems to be a good way to practice that struggle for a real audience.

One student realized this goal. She reflected on her choice of assignment (I ask them to read through the blog and then write an "analysis" about what they notice). Here's how she expressed her realization:

"Similar Views" is the essay I chose to polish [for my portfolio] because it made me feel more comfortable with the blog. I didn't like the idea of blog writing at all, it was a scary thought other people reading my writing. I felt people would judge me. Once this assignment came up and I had to read through the blog it was nice to realize that other people felt the same way I did. I wasn't worried about their typos or the punctuations errors, I was just reading their thoughts. It made me feel a lot more comfortable knowing me and other classmates feel the same on certain subjects.

I'm pretty pleased -- she made the connections I was hoping for -- especially around the struggle to write about something disturbing. Many students did not like reading the book because, as one student wrote, "We should not have to know about war."

Yep, these students want NOT to know things that they find disturbing. But it's my job to help them know -- and to help them articulate their thinking about what they learn. Educational job security, right? :-)

Friday, May 6, 2011

Why-Oh-Why

End-of-semester and final-exam pressure brings out the worst in some of us, the best in others. This semester, I've had quite a bunch of each reaction: the most recent headache is a bitchy student who copied from an online source in her final exam.


What's really amazing [and by "amazing" I mean ballsy and personally insulting] is that the student tweaked the original language in a way that indicated she'd thought through how she was going to fake her way through the exam.


Exam question [actually devised in consultation with students in the review session] was "What's the effect on the reader of the unnamed narrator(s) in Toni Morrison's Jazz?" We'd talked in class about who/what the narrator might be, especially in light of the novel's ending, and about the title as a framework/trope for understanding the novel's structure. So I expected an exam answer related to these topics.


Instead, the student wrote this answer:

The effect of having unnamed narrators creates a larger focus on the other characters. As an individual reads through the novel, they ignore who the narrator is and focuses on the story being told. Having this role, the narrator creates a jazz-like feel to the story. Morrison doesn’t reveal who this narrator is, so the reader doesn’t know whether they are male or female, white or black. All we are given is their view on the story being told.  

Up to this point, the answer is not good for a whole host of reasons, but it's consistent with the student's thin understanding of the novel and of how to think about / articulate ideas about craft. So while I didn't quite understand what she was talking about in the answer above, I really didn't think she was plagiarizing, until I started reading this next information (she'd smashed it all into the same paragraph, by the way -- I'm just separating things out here for clarity):

The interesting concept of Jazz is the reality of there being two narrators instead of one. There is the first narrator, an overt know-it-all who tends to be gossipy, who does not reveal that their knowledge is based strictly on observations until the end when it states, “So I missed it all together… I was so sure it would happen… I was so sure, and they danced and walked all over me. Busy, they were, busy being original, … while I was the predictable one, confused in my solitude into arrogance, thinking my space, my view was the only one that was or that mattered” (221). The second narrator who makes no claims to any of her knowledge and structures the character’s conversations and emotions without having any bias against them.  The reason I explain this as Jazz-like is because the novel seems to create a fluent form of improvisation through these narrators which is what jazz music is based on.

These ideas are completely, completely new -- no relation whatsoever to topics we discussed in class. And I'm sure you can see a distinct difference in style, syntax, and diction. So I quickly googled "overt gossipy Morrison" and found the following passage in an online article called "Narration and Intertextuality in Toni Morrison's Jazz":

instead of giving the reader one omniscient narrator, Toni Morrison chooses to use two narrators: One gossipy, overtly hostile voice which presents itself as omniscient; admitting only towards the end of the text to have based all of its’ conclusions on what it can observe (Jazz 220-1); And another narrative voice which often follows closely on the heels of the first, makes no claims to complete knowledge, involves no insults to the characters, yet is involved in framing most of their conversations, thoughts and feelings. . . .To create an omniscient narrator who is both first-person and third-person omniscient is jazz-like because this combination “symbolize an incredible kind of improvisation” (Micucci 275). We can say that Morrison draws upon jazz music as “the structuring principle” for Jazz.

You've probably figured out that the underlining exists to point out the obvious: the "plagiaphrasing" as Brenda Spatt calls it. Startlingly, the copied part is from the very first paragraph of the source article, and the student obviously had to spend some time tweaking the original language to sound like herself, changing "omniscient" to "know-it-all" and "incredible kind of improvisation" to "fluent form of improvisation" (she is a writing major, so she probably likes that slight alliteration).

I guess I will be using this example with future students, as something NOT to do.